Tagged with Technology

SameAs.us Sketches

About three weeks ago, I went to the SameAs.Us event in London, talking about art and technology. It’s taken me that long to drag my massive 2001-era scanner out of the cupboard and scan in these pictures from the event.

I solved the problem of not really being that good at paying attention to talks by doodling and sketching my way through the whole night – this also solves my problem of having to socialise with people. I just keep sketching when they declare a break for beer. It’s not that I’m shy, I’m just usually extremely worn out by getting to these events, and the evenings are my best time for drawing. I’m useless in the mornings. I usually count it as a success if I make breakfast and coffee before 1pm.

But all the interesting stuff happens in that sweet spot, of evening productivity, so I’m left with the option of becoming a weird bedroom-dwelling hermit or looking like a paint-stained freak in public. For now, I’m flying a small freak flag at some events.

The crowd was especially fun to draw, with the speaker being in the top left (Chris Thorpe of Artfinder, standing next to one of the hosts of SameAs.us, Kaitlin Thaney). Nearly everyone else was sat on the floor, so I had a good view of a wide variety of people, all sitting still. Handy stuff, if you want to do drawings of people. Even better than drawing people talking on their mobile phone – no pacing and hand gestures!

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Board

For a while now, I’ve been planning to do a big post on why Twitter is going to start being dull really soon now. I’ve got a lot of enjoyment out of Twitter over the past few years, especially when I was really sick, so I read a lot of the things that more intelligent people than me were saying about the Dick Bar and Venture Funding with great interest.

I kept those articles open in their tabs open for a long time, thinking that I’d lump them all together as a tech blog link dump, and let the 15 or so people who read my site regularly (hi Dad!) know The Truth. But it just never happened. I never sat down and wrote that piece, because, frankly, I just don’t care.

At the same time as I’ve been getting disenchanted with one of the pillars of modern male life, the gadget blog, I’ve been getting back into drawing. I attended a life drawing class in Hitchin, and did a number of drawings of a really nice woman called Ann (or possibly Anne). The sessions were actually run by a school, and I’m currently sporting a large beard (like some sort of rural weirdo) so by being twice as old as most of the other students I gained some sort of aura of expertise. My part in this was upheld if I made some half-decent drawings.

I’ve been cranking away at the drawings since just after Christmas. At first, I sucked, but I have spent a reasonable period of time drawing stuff, and it wasn’t too long before I started making drawings that weren’t awful. I read a few books on the subject, which is a slippery slope because you could spend a lifetime reading every “how to draw/paint/etch” and never make a single drawing. The secret, for me, seems to be spending at least two hours a day concentrating on the act of drawing. I’ve made a lot of bad drawings, which I’ve either thrown away or posted out to friends of mine in distant places (if they weren’t wholly objectionable).

Back during the winter I won an eBay bid on a drawing table. It’s always been my dream to have two tables in my workspace, and when the chance to buy a super-cheap draftsman’s table came up I jumped at it. I didn’t get it into my room until last week, so it’s spent most of the winter in the shed, but now it’s here it’s scaring the shit out of me. When I’m typing on my laptop, it’s sitting there behind me. Waiting for me to learn how to draw on it (because drawing on a raked surface is really different to drawing on my desk).

I guess the deal is, I have to put the work in. I have to do the same amount of hours and figure out how this thing works, in relation to making pretty pictures. Because that’s what I’m interested in doing right now, for my own ends. It’s a little bit more than “pretty pictures”, but I’m not sure where more right now, and you wouldn’t believe the amount of mental contorting and deprogramming I had to do to be able to admit that I wanted to do that.

But I’m still some guy with a website, so I’m going to be putting up some images here. And some of the other stuff I’ve been doing too, which has often been weird essays and such. Pretty much business as usual, just without the tech wittering, I guess. Perhaps on a more regular schedule.

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Ce n’est pas un billet de blog sur la China Miéville

I’m not the only person to have “beef” with major internet corporations. For instance, here’s the full text of a letter from China Miéville to Facebook, asking for them to stop impersonators on their site.

Facebook
1601 S. California Avenue
Palo Alto
CA 94304
USA
6 October 2010

Dear Facebook People,

URGENT COMPLAINT– PLEASE READ, MORE ACTION TO FOLLOW SHORTLY

1) The short version:

At least one person, if not more, is/are impersonating me on Facebook, with (a) fake profile(s) claiming my identity. Despite me repeatedly bringing this to your attention, you have taken no action to remedy the situation. And I’m getting very annoyed.

2) The full version:

This thing you hold is called a letter. This is the third time I’ve contacted you, and I’m doing so by this antiquated method because, and I realise this may shock you so brace yourself, I have no Facebook account. Which means it is nigh-on impossible for me to get in touch with you. Kudos for your Ninja avoidance strategies.

Back when you had a button allowing me to alert you to a fake profile despite not having an account myself, I contacted you that way. I was answered with a resonant silence. Subsequently, when the problem persisted, I hunted lengthily for, found and left a message on the phone number you go out of your way to hide. Absolutely nothing happened. So here we go again: third time’s a charm.

I am being imitated on Facebook. I believe the only reason anyone is bothering to do this is because I’m a novelist (published by Macmillan and Random House), a writer and broadcaster, with a minor public profile. I think there are one or two community pages about my stuff on Facebook – that of course is very flattering and nice of people to bother. The problem is that there is or are also pages by someone(s) purporting to be me. This is weird and creepy. What’s worse is I know for a fact that some readers, friends and colleagues are friending ‘China Miéville’ under the impression that it is me, and that others are wondering why ‘China Miéville’ refuses to respond to them. And I have no idea what dreadful things or ‘likes’ or ‘dislikes’ are being claimed as mine, nor what ‘I’ am saying.

I know lots of people enjoy being on Facebook. Great. More power to them. Vaya con Dios. Me, though: not my thing. I have absolutely no interest in it. I am not now nor have I ever been a Facebook member. Short of some weird Damascene moment, I will not ever join Facebook – and if that unlikely event occurs, I promise I’ll tell you immediately. In the meantime, though, as a matter of urgency, as a matter of courtesy, as a matter of decency, please respond to my repeated requests:

• Please delete all profiles claiming to be me (with or without the accent on the ‘é’ – last time I looked, I found one ‘China Mieville’, and one more accurately rendered).
• Please do not allow anyone else to impersonate me. I have neither time nor inclination to trawl your listings regularly to see if another bizarre liar has sprung up.
• And while you’re at it, please institute a system whereby those of us with the temerity not to sign up to your service can still contact you on these matters and actually get a [insert cuss-word] answer.

I appeal to you to honour your commitments to security and integrity. Of course as a multi-gajillion-dollar company I have absolutely no meaningful leverage over you at all. If David Fincher’s film doesn’t embarrass you, you’re hardly going to notice the plaintive whining of a geek like me. All I can do is go public. Which is my next plan.

I’m allowing a week for this letter to reach you by airmail, then three days for you to respond to me by phone or the email address provided. Then, if I’ve heard nothing, on 16 October 2010, I’ll send copies of this message to all the literary organizations and publications with which I have connections

some of the many books bloggers I know; and anyone else I can think of. I’ll encourage them all to publicise the matter. I’m tired of being impersonated, and I’m sick of you refusing to answer me.

I look forward to hearing from you.

Yours sincerely,
China Miéville

Miéville’s an amazing writer, and I picked this story up not via my usual nerd-stops of io9.com and tor.com, but by Google Reader’s ‘explore’ feature (where I found it was featured on many blogs). I don’t think it came up via Miéville’s own site at Rejectamentalist Manifesto. I saw him talk early this year, and from what I could hear he’s not that impressed with the Internet as a whole, so I think his site is more a way of distracting people from whatever footprint he might be making online.

What it says to me is that we have identities beyond our mere physical bodies, and that it takes work to control them, and it takes more work to control them as you become more famous. An “online presence” is a sort of metallic aura, and the more we engage with the online world, the more apparent our aura becomes – but famous people, or people who have some sort of cultural cachet, like Miéville, have an aura that might be beyond their control. For instance, cat-bin lady suddenly became famous and well-known, and lost all privacy she might have had.

Miéville’s specific complaint was not that the virtual dopplegangers were passing themselves off as him, but that they were independently claiming to “like” things. Stelarc, the Australian artist who has an ear on his arm, tried to create autonomous networked copies of himself back in the early 2000s, recognising that at some point our self, our animus, would be replicated – probably imperfectly – by machine. Where this leaves the singular voice of the author, or any individual who would seek to make money from presenting a unique world-view (examples might include comedians, chess-players, and international bankers) is having to defend their uniqueness.

Unless, of course, licensed copies can be made.

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“If you’re fifteen or so, today, I suspect that you inhabit a sort of endless digital Now, a state of atemporality enabled by our increasingly efficient communal prosthetic memory. I also suspect that you don’t know it, because, as anthropologists tell us, one cannot know one’s own culture.”

William Gibson, speaking in 2010

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I Wish I Could Hate You to Death: recent adventures in nerdery with an iPhone 3G

As the following post shows, I’ve been messing around with my iPhone a bit. I left a huge comment on a Guardian article on Jailbreaking, relating my experiences, and I thought I’d republish a tweeked version of it here.

I don’t do anything that weird with my phone normally, but in the past few days I got so fed up with iOS4 on my old 3G iPhone that I decided to roll back the operating system to 3.1.3 using the howto on Lifehacker. This took two pieces of software (one program and one download) and it made my iPhone much quicker.

And I mean really frustrated. I used the new operating system for at least two weeks, and I thought I was going to have to buy a new phone. The damn thing was useless – slow, laggy, bad at doing the things it used to do par excellence. I don’t think it was some sort of high-level Apple plan by evil men in turtleneck sweaters to force me into buying new phones, I just don’t think they properly tested it on the older generation of iPhones.

Above: Youtube user Adam Burtle‘s parody of the new operating system. As several people have noted, including Daring Fireball, it’s pretty accurate.

Several times, I reached such a point of frustration and anger that I had a mental image of ripping the phone apart with my bare hands, shattering glass and bending metal. Prior to the iOS4 update (the new operating system that goes hand-in-hand with the new iPhone 4) my iPhone had been a gadget that I never failed to be impressed by. To go from loving a gadget like that to picturing it’s demise is really weird, and perhaps a sign of some internal imbalance in me… but what can I say? I followed all of Apple’s rules, and ended up with something worse when they promised something better.

This breaks an implicit contract that Apple make with iPhone users. “Let us control your computing,” Apple says seductively, “and you’ll have a fantastic experience.” With the new update, I feel like they broke that covenant, and in fixing their mistake I had to go and download software that is semi-legal.

Having done this, it occurred to me that I should now Jailbreak the phone. The new method  (released this week) seemed easy, and I had little to lose because I’d just wiped my phone in the process of downgrading the operating system. So I did it, it worked first time (over 3G) and I logged into the Cydia store with mounting excitement…

… to find a load of useless applications. Change the font of my iPhone? Have five icons on the bottom instead of four? Have a different background? Install an SSH application? Hungarian spellchecker? NES Emulator? No wonder these applications can’t be got via Apple, as they are either useless or worthless (depending on how much Hungarian you speak).

There do seem to be three useful applications, only two of which are legal: a tethering app (to use the 3G connection when out and about – of which I think O2 might have something to say), a wireless syncing app, and a bluetooth keyboard app. None of these applications are free, and seeing as they aren’t mission critical for me I don’t think I’ll chance paying for dodgy software.

Am I glad I jailbroke my phone? Not really, it was pointless. But I am glad I rolled back the OS to the last generation – that really made a difference. Of course, by making it so hard for me to do that, Apple pushed me into a state of mind where I no longer want their “curated computing”; I just want something that works. Maybe Jailbreak will grow up and be something useful in the future, but right now it’s just for the nerds.

And frustrated Hungarians.

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MMX – The Start of the Post-Digital Decade

2010 and after are going to be about post-digital, by which I mean what comes after we’ve finished staring at our screens. We’re going to see an explosion in the amount of physical objects that would have been impossible without using digital process in the workflow, and objects that won’t work without a connection of some kind to the internet.

Spimes and RFID are only part of what I’m talking about here. Short-run publications, bespoke objects, and even distributed craft networks are also part of this new post-digital boom. There are going to be a lot of interesting tools for artists and designers to explore in the next decade, as we move away from computers being the site of the art (on websites) to being tools that enable interesting things to happen.

With this in mind, I’ve got three predicition for what the post-digital will be about:

  1. It’s about fitting the digital into your workflow
  2. It’s not venerating the things that are on our screens
  3. It’s real-world hard work, and engaging with both hands

With this in mind, I looked back at my last decade and I thought about how my use of computers changed over that time. Do you remember using computers in 2000? I had to wrack my brains a bit, but here’s a personal timeline of digital use:

2000 – Started Foundation course. Used Kai’s Power Tools for the first time, made first video, got first real email address (by which I mean not a hotmail account)

2001 – First year of university. My first computer that was mine- a G3 desktop, zipdisks.

2002 - New computer – G4 eMac with OSX! Lots of browsing at uni, then taking software updates home on disks. Became expert on TWAIN, scanning, photoshop, and waiting for photoshop scanning to finish.

2003 – First external hard drive. Also brought Wacom tablet, midi keyboard (both mostly useless). Made videos, learnt non-linear editing software, wrote dissertation, stared out of the window a lot.

2004 - First broadband connection. Brought Max/MSP, downloaded Processing (alpha!), went on PD course. Still confused by all three ‘easy’ languages. Got Gmail account and my first laptop – a G4 powerbook.

2005 – Overused first broadband connection. Made some digital installations, brought Teleo card, got into electronics, nearly blew Teleo card up. Brought first iPod and Arduino.

2006 - Social networking via Flickr. Went on Arduino course in Barcelona with Massimo and David, gave up on Max/MSP and PD as patcher languages suck time, fun, and light from life.

2007 - Joined Twitter and Facebook. Facebook annoying from start. Finally buy proper domain name and start running my own website. Run the Glowbikes project, using SpokePOV’s as part of an art installation.

2008 – Powerbook dies, replaced with MacBook. Attended geek conferences, wrote and taught two courses for wordpress, made serious effort to learn Processing (which is then forgotten) and brought iPhone.

2009 – Discovered international roaming charges. Erk. eBay’d and sold things on Amazon, wrote thematic blog posts, and interviewed serious hacker-types.

2010 - Now.

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Some Old Disks

Uncovered during seasonal tidying, a small cache of 3.5 floppies, still sealed with their “license agreement” stickers.

Why do I blog this?

One of these disks has been left, unopened, for thirteen years. The other came in an eight-inch box, decorated with Alber’s trademark screenprints, that I used as decoration. Now, possibly six years after tossing the disk but keeping the box, it’s impossible for me to get the Albers font off the physical media that it came with. These objects have changed from useful, legally guarded tools to technological detritus.

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Researching Tumblr

Pac-Graph

I’d have to say that Tumblr’s great if you want to look at pictures of bookshelves or semi-naked women. It really fails at presenting anything more complex though.

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Inquiry One: What is New Media?

This is part of my coursework, where I’m trying to define the area that hackerspaces are working in from an artistic perspective. This text is a fragment of writing that I couldn’t fit into the two larger pieces that I’m writing at the minute.

In his essay, “DIY: The Militant March of Technology”, Marcin Ramocki links the means of production in the information age to the classical Marxist model, and then goes on to posit that New Media art works are one way of countering the alienation of labour that Marx claimed as an effect of the industrial age. He writes:

“The work happening right now comes from the first generation born into a world with personal computers, video games and the internet and on-line media. Their first frame of reference is not the linear narrative of a film but an algorithmic one of a game or a website. There is no more reverence toward technology: there is a need to question and make sense of it.”

This new generation’s attitude toward computers, media, and technology is one that is seen in the willingness to deconstruct and reconstruct the tools of the information age for individual purposes. Sometimes, these purposes serve the community of makers and doers that enable modern interaction with technology, leading to Open-Source tools such as programming languages. Sometimes, these purposes are artistic, in which case they can be presented in a gallery (or other arts-related) setting.

In one sense, the willingness of artists to work with these tools was predicted by Nam June Paik, an early adopter of technology within the artistic milieu, when he said “ Some day artists will work with capacitors, resistors and semi-conductors as they work today with brushes, violins and junk”, although he could not have known from his vantage point in the sixties the importance of computers half a century later.

But those working today do; whether in art or any other field, the computer is a ubiquitous object, both at home and in the workplace. It is this ubiquitousness that makes them invisible (when they work) and therefore give no reason for the lay-person to investigate them further than as objects for work or leisure, depending on the location they encounter a computer.

Ramocki refers to hackers – by which I mean the people who do investigate computers, rather than in a criminal sense of the word – as “individuals who rise above the proletarian alienation of labor (sic) and fully embrace… the means of production, their hardware and software.” Political context of his language aside, his writing mirrors a growing trend in contemporary culture to return to the making of things, as opposed to the packaged product that consumer society provides.

Examples of this include the magazine Make, which exists to educate it’s audience about DIY technology projects, encouraging it’s readers to “void the warranty” in order to make something new, and a raft of new books encouraging creative actions such as cupcake making, textiles, and other activities.

If the computer, as a packaged object, becomes the modern-day locus of alienation, then it is not surprising that there is a backlash against that which comes pre-packaged. It is to be expected that there are those questioning the relevance of technology in their creative lives, and that as a flip-side, those reclaiming the technology by making it the site of their creativity.

Richard Colson’s introductory text to digital art lists six major themes of the field: history, using responses (which he also refers to as live art), data, coding, networking and digital hybrids. And yet even these deliberately wide-open themes still have trouble containing all of the varied approaches to art and technology happening in the contemporary artworld.

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Free Modems Suck

If you’ve been given a router from your internet provider, I’d recommend throwing it away and replacing it with something else. Anything else. A forty quid ADSL router and modem is going to be as good as the free turd-with-ethernet-port you get in the post. Got that?

Most of today has been an exercise in pointlessness, by trying to follow the help pages on BT’s website to plumb in a wireless router. This has the surprising effect of allowing half of a web-page to load before completely stopping all network access, including access to the setup page so you have to do a hard reset. 

The device gets pretty close to working, but the BT router is so unfriendly that it has the giant greasy fingerprints of engineers all over it. I can’t think of the last time I needed to access some of the functions that are listed here, but the essential function (‘work with a wireless access point that my girlfriend brought on the high street’) is not there.  

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