Pete Hindle

Pictures and stuff from a guy who likes coffee.

Tag: comics

Hourly Comics Day

Some guy on the internet decreed that February the first is Hourly Comics Day, and recent history has seen people go along with that. It’s not as popular as international Talk Like A Pirate Day, but it actually involves a bit of effort. This year, I decided to give it a go.

My early morning ritual is, shamefully, waking up and reading the internet on my phone, whilst still snuggled in my duvet.

They looked grey in the shop.

AN Magazine is a trade publication for artists. It’s written in a sort of ultra-academic art language, which I don’t like. Or, I should say, it’s liminal properties disturb my conceptions of appropriateĀ language.

And that was my day! Well, most of it. I also did some drawing in front of the TV watching the Andy Kaufman biopic, “Man on the Moon”, which I enjoyed.

What I learnt from doing this was that I need to get way better at hands, and that giving over my creativity to an externally set goal was quite useful. I enjoyed the challenge of trying to think about my day, and make it something that worked in a comic, and I wasn’t afraid to fail at this task. That’s why this post is scrappy and imperfect; I’m not good at making comics, and I’m not perfect at drawing people, but these sorts of externalised creative deadlines let you get over your limitations.

Malibu Cars

Look, I’ve put words and pictures together as a comic!

I went out on Sunday to do some more sketches from the area, but the park I was headed to was closed (thanks a bunch, local council) so I ended up sitting in the graveyard with my watercolours, totally paranoid that I was going to get locked in because it was getting late. Eventually, my bladder won out, and I returned home.

Just as I was crossing the last road before my house, I saw a bottle of malibu lying next to the path and bent down to pick it up… and then the above happened. I’m not sure how I feel about comics. I came to the conclusion recently that if I tried to write them I would go insane, so I’m quite surprised this popped out when I sat down to draw.

 

Every Single Elfquest, Ever, Is Online

You can find the Elfquest archive here: http://www.elfquest.com

I haven’t read any Elfquest. Back when I was seriously into comics, between 1990 and 2000, Elfquest seemed like one of those big things that was just there. It was on a par with Cerebus – a long, ongoing series that was difficult to get into because it was hard to find all the issues. Comics shops used to be notoriously bad at remembering to give you the comics you wanted to pay for, let alone the comics from the past which you might want to read. I’m looking forward to digging through the back-catalogue.

Ten Years After

The year 2000 was a big one for me, as I’m sure it was for many people. For me, It was the year that I decided to get my shit together. I had spent most of the late 90s in various altered states and I could see that unless I did something drastically different, I would be stuck in the small town that I hated. By this stage, I’d already done (and failed owing to my slackness) a GNVQ in art and design, so I knew that the quickest route to university was to do a foundation in Art and Design.

I didn’t see myself getting into the college (and passing) unless I pulled my finger out, so I stopped smoking pot, got a job, and learned to draw. Drawing was what I did instead of smoking, keeping my hands active while I hung out with friends. As part of my application I made and sold a comic, flogging enough copies to recoup the cost of a long-handled stapler. It’s a comic based on the sort of conversations I used to have with my friends, but looking back on it I was a bit dubious about putting it online. However, it took me so long to find it that this might be the best chance I have of being able to find it in 2020!

Making the comic was incredibly hard – it took me somewhere around three months to get done, probably due to a massive depression when I stopped smoking pot. Another thing that was hard was learning to draw well enough to be able to make these very basic characters different enough to tell a story. Finally, compiling the pages in the right way to print, using my dad’s printer, was a complete mindfuck.

Like a big hypocrite, I’m pretty anti-drugs these days. It’s not so much for what they are, but for the reason that people who take drugs are criminalised, forcing them to act in ways that end up hurting them as much as the effects of whatever they’ve taken. If we accept that hanging out in pubs (smoky or otherwise) isn’t healthy, why do we force casual drug-users to become radical law-breakers?

Having moved back to that hated small town after ten years, I think my friends and acquaintances who’ve suffered the worse are the ones who found themselves with something to hide through casual drug use. For me though, I’ll never touch any drugs again and I’m happier for it, making this comic an interesting view into who I used to be.

An Ironic Reading of Portions from Silver Surfer, Issues 5 and 6

One (cover)

In my teenage years, I had a big comic habit (graciously funded by my parents). It all started with the Silver Surfer double-issue where the Kree-Skrull war kicked off, on a holiday in Saffron Walden. I can’t remember the year it was, but it was before my reading speed kicked into the ludicrously high speed it is now, and those 60-odd pages of space battles and cosmic forces made me want to read more comics.

Fast-forward to today, where myself and Brian dragged ourselves to the Newcastle SciFi, Comic and Card Fair, run by these folks. And it kind of sucked, because there wasn’t any SciFi, just comics and cards. But it had cost a pound to get in, so I forced Brian to root around in the comic sections, and whilst he was suspiciously eyeing the covers of Witchbreed I was reminiscing about when comics used to be good.

Warren Ellis’s comics commentary column Come in Alone (also see here) laid it all out ten years ago, saying that the two party system of comics, which only produced comics that existing fans wanted to read, was a slow boat to suffocating the industry. Well, he was right, and all the interesting comics like the Silver Surfer have been culled. These days it’s all ‘dark’ heros such as Wolverine, Superman clones, and the odd offbeat black and white.

(Webcomics are where it’s at. Shhh! Don’t tell the capitalists.)

But coming across a stash of old Silver Surfer comics, I had to buy them. For starters, they were only 50p each! So I ended up buying a few comics from before the Kree-Skrull war, setting the scene on a galactic scale. We are introduced to a number of different races, such as the Celestials, a race of… really big people.

I See Paris, I See France...

Above: He’s just standing there, and I can see right up his…

The green guys are Skrulls. I like the fact that the tubby green Marlon Brando feels he can’t stand the site of this monster anymore. Okay, I might have been thinking “monster what?”, but that’s a little crude. And how do you think talking to the enormous city-high man goes?

Three (bugger)

Oh-fecking-really, Kylor – a giant green bloke comes and stands over your city, and there’s nothing you can do? You’re lucky you don’t have a week of ‘special yellow rain’ forecast, especially after you tried to nuke him. And – point of order here – didn’t you just try and nuke him right over your own city? Kylor, you’re an asshole.

This is also a good time to point out the fantastic colour process used in late 1980′s comics. I’m not an expert, but you are seeing a really restricted palette put to a great use here, with overlaying tones of less than sympathetic colours really popping out. I actually get quite excited by this sort of print quality. Also notice that the paper is all yellowed with age; I could have auto-corrected that in with the scanning process, but I feel that it adds a little to the reading of the media.

After Kylor and his Conservative-style mismanagement of local politics, there is a few other plotlines that are in these issues of the Silver Surfer. The big one is the Surfer’s “friendship” with Mantis, a green lady who flies through space wearing an improbable suit. Why would she hang out with a shiney silver man in space, who constantly talks about his ex-boss all the time, and how his ex-boss exiled him to Earth?

Four (likes me, eh)

Oh, she likes him.

I have to admit, on reading that frame I was thinking “my God, somebody even worse at dating than I am!” – after all, he’s got the hot green girl in the stripper outfit saying nice things to him, but he’s all “yeah, it’s been a long time, and I’ve only kissed that other girl three times…” He should probably be clear that he’s got a thing for Shalla Bal, but – hey – who knows how long it’s been for our Surfer? It could be a long time. He doesn’t have a crotch.

Five (emo)

He’s so emo.

Six (in like Flynn)

Surfer, she’s practically putting it on a plate for you there. Plus, catch that little Saigon reference? You might think she’s subtly trying to tell the Silver Emo that he’s got Prospects, but then she drops that next line quite casually. Well, she is dressed like a stripper, mind.

Later on in this issue, the Surfer’s courtin’ is interupted by this lunk-headed dick. His backstory is that he’s immortal because he’s the last one of his race (apparently, the universe preserves the last one of a sentient race in the world of Marvel), but he used a cheat code – he slaughtered the rest of his species.

Nice.

Seven (no hobbies)

Rather than judge his actions, the Silver Surfer uses the mighty Cosmic Power imbued in him to remove the weapons lunk-head (I can’t find his name, and I can’t be bothered to look it up) had implanted in his body. So after five billion years of killing people, he didn’t ever take some time out and grab a hobby? It was just kill kill kill? Whatever.

This is still a Marvel comic, so after having a fight they declare the issue over and move onto issue 6. This starts with a great one-page drawing of space – termed a splash page in print terminology. Here:

Eight (War Splash)

The thing about these splash pages is that you tend to find them at the start of the comic book. I suspect this is both for dramatic input and for the fact that they would have time to draw this stuff at the start of the monthly schedule for the comic book. But forget all that – lasers! Pew pew pew! Burning things! Explosions! Wow!

Oddly enough, for an issue titled “War”, that’s not what the Surfer gets up to in this installment. But before we find our Space Emo sitting outside Boots with his Space Goth Girlfriend, there is a slight bit of backstory to get through:

Nine (end of the universe)

In todays world of comics, the above would be a quick dash through the plug-ins section of Photoshop, but the illustrative team of Rogers and Rubenstein have really pulled out the stops with this splash page. There’s stippling and all sorts – man, that must have taken them ages! But it’s so cool I wouldn’t really mind if the last page was just a picture of some stick men saying “we’ll be back next week”.

I’m telling you, this is the sort of stuff you don’t find in today’s comics. The combination of old-school graft and limited printing techniques means that some real special knowledge went into this image. Appreciate it, because in our realm of pixel-perfect Blue-Ray DVDs, we often lose sight of how hard it is to craft something beautiful.

Ten (seize it)

Surfer also finds it hard to recognise when something beautiful is infront of him. Seriously, he has got to be the worst date ever – “But I’m pledged to somebody else!” Thankfully, our girl Mantis is a little bit more forward. Plus, to be honest, I think Surfer might be her lift home – she’s got the power of plants or something, which isn’t that nifty in the infinite void of space.

So, after the romantic kiss, what next? Why, what else but SPACE NOOKIE!

Eleven (space whoopee)

So, one things puzzling me here: are they just going off for an extended hug in the asteroid belt, because the Surfer doesn’t have any bits. He does have a Cosmic Power (or possibly a Power Cosmic) which might come in useful here. But we don’t see that – this isn’t something from the pages of Heavy Metal. It’s straight to the afterglow for us readers.

Twelve (silver shell)

I don’t quite understand what he’s saying that’s so romantic she wants to kiss him – “hey, if you weren’t around, I’d still be pining for that girl who only kissed me three times”. Hmm. Well, maybe she has a thing for surfers.

But wait, what’s that? Does that last panel depict the sound of a cosmic voice-mail being delivered?

Thirteen (cockblocked)

Oooh, mean! Mantis, he’s going to leave you with some plants and then get back to his other honey. That’s low, and don’t be making all lovey-dovey eyes behind his back – it’s quite clear that the Surfer got his oats and then just pissed off. But, y’know, he’s just so darned noble about the whole thing. “Hey babe, I’ll call you after saving all of reality. Missing you already, ciao.”

I hope this brief breeze through some of the Surfer’s classic period in the 1980′s has been interesting for you. I don’t think this period is collected anywhere, but the good news is that these comics only cost me 50p each. You could totally clean up before all the other cool kids get in on this.

Disclaimer: It’s quite obvious that I’m not claiming ownership of any of the artwork or characters above, and that I’m using them for review purposes.